Our Company, incorporates properly educated and fully qualified personnel, for recording, digitizing and processing the physical objects. Digital capturing services of our company work complementary with your organisation .

Converting assets to a digital format and creating assets digitally in the first place provide several benefits, including ease of storage and distribution. However, to fully realize the benefits of digital assets, the assets must be managed properly.

An important channel of creating digital libraries is to digitize vast amount of physical objects. Digitization is used in the broad sense and means the complete processing that covers capture, image analysis, text recognition, and so on.

The primary components of a digital asset management system are the repository where the assets are stored, the database where the information about the assets is stored, and the user interface. Workflow is a key function layered on top of these components that manages the processes through which the assets move.

Preparing and digitizing the physical objects:

The term 'digitization' is a shorthand phrase that describes the process of making an electronic version of a 'real world' object or event, enabling the object to be stored, displayed and manipulated on a computer, and disseminated over networks and/or the World Wide Web. The physical or analogue object (images, press clipping, documents, audio, video, 3d objects e.t.c. ) is 'captured' by some device such as a scanner, digital camera or recorder, which converts the analogue features of the object to numerical values, enabling them to be 'read' electronically .

Quality check and further processing:

Quality assurance (QA) plays a critical role in high volume document digitization projects by making sure that the specified quality standard is reached under cost and time constraints.

Digital rights management

Digital Rights Management standards are being developed for the digital content and Digital Watermarking, a popular technique for content authentication and forgery prevention is viewed as an enabling technology to protect distributed content from unauthorized reuse, or reuse with inadequate credit. Watermarks' classes are summarized here:

• ♦Forensic watermarks don't actually stop anyone from copying or otherwise manipulating content. But they can establish where the content came from originally
• ♦Denial watermarks aim to actually prevent content from being accessed fraudulently.
• ♦Mulit-phase watermarking schemes usually involve a state change in the content. In the initial state, the content is in a distribution or sample form which may or may not be easily usable. Then a consumer legitimately acquires the content and it is transformed into a form which is more usable - but which typically also embeds the consumer's identity into the content.

Use of Digital Collections

Within the context of an institution-wide digital repository, collections of performing arts recordings may get lost in the shuffle if left under the aegis of the organization in charge of the entire repository. Similarly a single individual also may not be able to adequately provide for the maintenance of the collections. A team, however, is focused enough to devote detailed attention to such a domain, while at the same time being broad and varied enough to meet the correspondingly varied challenges of caring for the collections; able to form collaborative partnerships with the repository management, institutional legal counsel, contributing artists, and user groups, among others.